Viz News

Centuries of art and ideas from ancient Greece to the Renaissance are brought to life for College of Architecture study abroad students in Italy in a series of vivid lectures by Giovanni Di Pasquale, Texas A&M adjunct professor of science history and design philosophy.

For her pioneering research that reveals where a viewer’s gaze lands in virtual and digitally augmented spaces, Ann McNamara, associate professor of visualization, earned one of the university’s most prestigious recognitions for scholarly impact.

Digital artist Lisa Woods will explore technology as a means of collaborative storytelling in “Gathering,” an exhibit scheduled Nov. 14 – Dec. 9, 2018 at the Wright Gallery, Langford Architecture Center building A on the Texas A&M campus.

The first exhibit at the new Arts Council of Brazos Valley location, 4180 Highway 6 South in College Station, will launch Oct. 16, 2018 with colorful, abstract oil paintings and a sculpture created by Dmitri Koustov, Texas A&M visualization lecturer.

For making lasting, impactful contributions to the Bryan/College Station area with her creative efforts, Jinsil Hwaryoung Seo, assistant professor of visualization, was named the M.L. “Sonny” Moss Artist of the Year by the Arts Council of the Brazos Valley.

Variant: Limits, a video game developed in part by Texas A&M visualization students, is helping Chinese undergraduates succeed in introductory calculus, one of the toughest classes to pass on a university campus.

A diverse line-up of acclaimed artists promises to thrill audiences during the Texas A&M Academy for the Visual and Performing Arts’ 2018-19 season. The AVPA is entering its second year under the direction of Weiling He, associate professor of architecture.

Pixar artist and Texas A&M former visualization student Sarah Beth Eisenger ’13, who has used her technical wizardry skills on many acclaimed Pixar films, returned to The Viz Lab to help Vizzers craft digital shorts in the Department of Visualization's Summer Industry Workshop.

Lighting is a secret weapon in animated movies — it’s used in every frame, yet when done well, viewers will never notice it. Pixar artist and Texas A&M former visualization student Jon Kiker has used his technical talents to create lighting for some of the studio's best films.